Name: Vermillion RCA Interconnect
Brand: Virtual HiFi
Price: 4278.0 PLN
Availability: InStock

VERMILLION

Silver-Gold Interconnects Without the Snake-oil

We call out the 10× markups of the cable industry. Vermillion gives you world-class

Mundorf silver-gold cables at real value: parts + fair labor.

Why Vermillion exists

Most ultra high-end cables cost €3,000… €5,000… even €10,000.

Not because the materials justify it — but because brands load on massive markups and glossy marketing.

At Virtual Hi-Fi, we don’t play that cable game.

Vermillion is built on a simple promise:

The world’s finest conductors: Mundorf silver-gold solid core & Duelund tinned copper wire
The best connectors available: WBT Nextgen & Viborg pure silver connectors
Carefully chosen extras: multi-layer copper shielding, 4-layer sleeves, Mundor silver solder
A flat €100 for expert hand assembly.
Free insured Worldwide shipping

That’s it. No voodoo. No 500% markup. Just pure music.

Why we do it that way

The answer is simple: cables are basically a commodity.

Compared to the speakers and other projects that we do, cables require little R&D once you’ve found the perfect recipe.

Logistics are simple: small, light, easy to ship and store.

Production is straightforward, with minimal overhead.

👉 That’s why we can price Vermillion at cost + fair labor, but our loudspeakers need higher margins to sustain R&D and production, logistics etc.

With cables, we found a recipe that works perfectly — so we decided to disrupt the most over-marked-up corner of the high-end world, and give you the best sound & deal you’ll ever find in cables.

How Is This Real? How Do We Make Money?

Good question.

If you went online today, bought 4 meters of Mundorf wire and 4 WBT connectors, and soldered them into a cable yourself… you’d spend almost the same as Vermillion.

The difference?
We buy hundreds of connectors and hundreds of meters of cable at wholesale pricing. That gives us a discount. That discount is our margin.

The Vermillion Interconnect Build

Mundorf SGW110W Silver-Gold Wire

Solid-core, 1.0 mm diameter per conductor
99% silver + 1% gold alloy.
Teflon insulation for perfect dielectric performance.

Connectors

RCA: WBT 0110 Ag Nextgen Silver.
XLR: Viborg Silver & Carbon

Shielding & Damping

Directional double layer copper shielding for noise rejection.
Quadruple sleeving layer for mechanical elasticity and vibration control.

The 1.0 mm diameter matter

Most “high-end” silver Interconnects use 0.3–0.5 mm conductors. Vermillion uses 1.0 mm solid core for every conductor.

Vermillion 1mm conductor section area → 0.785 mm²

Typical 0.5mm conductor section area → 0.196 mm²

👉 That’s 4× more material per wire.
👉 Four times the conductor mass = fuller tone, stronger current handling, more authority.

Silver cables are often praised for their detail — and just as often criticized for sounding bright, thin, or fatiguing. That was my experience too. Many manufacturers use minimal amounts of silver (to cut costs), and the result is a sound that lacks body and naturalness.

But not all silver is the same. Diameter, purity, and alloy composition matter enormously. Even at the connector level, silver can make a profound difference: in my testing, WBT Nextgen Silver consistently outperformed copper, offering not just more detail, but also a wider soundstage, richer mids, and deeper bass.

With every cable in the Vermillion series, you’ll experience:

Immersive lifelike sound
Smooth highs and mids without harshness
Richer, dynamic natural mids
3D holography and wide soundstage
Deep, fast, controlled bass
Effortless musical flow

Vermillion aren't just another cables They are proof that high-end can be honest, natural, and complete.

Reviews

“Vermillion XLR interconnect + Vermillion Flame speaker cable augmented what I associate as silver virtues—lucidity, transparency, directness, airiness, speed, taut bass, high separation—with a table spoon of diffusive/elastic softness. Given my long-ago gold experience, I naturally correlated that effect with Mundorf's micro dosing of gold.

We could even call it subtle sweetening or temporal stretching. For me it stayed clear of dancing on the edge with fiery material. It undercut silver's potential to get splashy, brittle or dry as we prime the pump whilst, on say intense Flamenco, gipsy singers strain their high registers, guitar strings flare in flashy runs and dancers execute machine-gun heel attacks on resonant floor boards.”

Srajan Ebaen, 6moons.com